It looks good in all caps and sentence case, and at small and title sizes. It's a standard font that just about everyone has, it looks good in print and on screen (Arial predates ClearType).
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And both look horrible.įor me, I like Calibri at. I think it's one reason why the OOTB symbols are retarded big with small text. Bold, clean, and contemporary, it’s best used in modern designs like branding projects and building corporate identities.Arial has the added fault of jumping around "vertically" when symbols are rotated. True Story Letterworks proudly presents this futuristic typeface with wide proportions. Strong, bold, yet gentle, this font is a wonderful addition to every designer’s toolkit. The pack consists of 42 fonts in varying widths and italics, making them great for just about any project. Make charming contemporary pieces using this no-frills sans serif by insigne. This 1950s vintage serif is available in two styles with three weights each (that’s a total of 6 amazing looks!) for your convenience.ĭownload Architects and Draftsmen 25. Architects and DraftsmenĪdd an authentic retro feel to your designs when you use this offering from SouthpawMiller. Simply beautiful, it’s ideal when used for titles, logos, shirts, banners, posters, labels, and more.ĭownload Marsek Display Font 24.
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This sans serif from MOCOSANS comes in three sophisticated weights you can mix and match, or use on their own. Thanks to its unique arched, tall characteristics, it’s almost like an optical illusion when viewed from the right angle!ĭownload Aclo Font 23. Inspired by the works of Dutch graphic artist, Maurits Cornelis Escher, this gem by Pedro Azedo will be amazing on posters, illustrations, logos, and websites. Unique, geometric, and available in 3 weights with upper and lowercase characters, it’s a nifty addition to every designer’s arsenal. Reminiscent of the tough, sturdy exteriors of German-born American architect, Ulrich Franzen’s works, mikewrogers presents this font in 3 weights that are as strong as they are practical.Ĭreate structure no matter what you’re working on with a little help from this gem by Oliver James. It includes 36 fonts that you can put on anything – from websites, headlines, to shirts, and signage. Simple, yet oddly flamboyant, this work by insigne was inspired by combining the architecture styles from Barcelona, Germany, and Asheville, North Carolina. Inspired by the inscriptions on the Bemis building in Seattle, Leksen Design created this regal font that will lend your works with a quiet elegance and timeless feel.īased on round arcs in architecture, this geometric from Philippe Moesch includes 3 weights (Bold, Regular, Light) you can use on their own, or combine for an interesting effect. Highly versatile and beautifully curvy, you can use this font on branding, publishing, or corporate designs.
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Influenced by ancient roman style architecture, this gem from MikeHill has 3 styles (Regular, Stencil, Broken) that will instantly add a distinct character to your projects.Ī salute to the works of beloved architect Oscar Niemeyer, this typeface by Latinotype consists of 8 weights with matching italics, alternative characters, old-style figures, and more. Highly legible no matter the size, it’s clean and practical for every design endeavor. Juraj Chrastina presents this clean font with a subtle square personality. Related: 26 Vintage 1920s Fonts Straight from the Roaring Twenties